A seat as a spontaneous graphic drawing, almost a naive sign, a typical sign “à la Guixé” which hides behind its apparent formal simplicity, the usual research by the Catalan artist to explore new methods and shapes to relate and to connect people. Thus, the three large “loops” that compose this structure, force the visitors of the museum to seat alternatively inside or outside the bench, provoking among them a series of continuous interactions and contacts, that generate the creation of a creative communication.


